Ivory Silo (sans smooth shapes)
Ivory Silo (sans smooth shapes)

2017, Digital print on aluminium, 30 x 30 cm

Impermanent Impermanence Storage
Impermanent Impermanence Storage

2017, digital print on aluminium 30 x 30 cm

COMP͇̲̙̹̩̮O̳̪̻͝U͏̖̩̳̙͉̱͓̤̕Ṋ̶̲̲͈̕͡ͅ DED. . .
COMP͇̲̙̹̩̮O̳̪̻͝U͏̖̩̳̙͉̱͓̤̕Ṋ̶̲̲͈̕͡ͅ DED. . .

2018, Digital print on gloss paper, edition of ten, 80x80cm

Garden City, Space City, Little Ball of Fur...
Garden City, Space City, Little Ball of Fur...

2018, Digital print on gloss paper, edition of ten, 57x56.5cm

A Place for Everything and Everything in its Place
A Place for Everything and Everything in its Place

2018, Digital print on gloss paper, edition of ten, 70x70cm

NEARLYATTHEHEARTOFTHECITY
NEARLYATTHEHEARTOFTHECITY

2018, Digital print on gloss paper, edition of ten, 43.5x30cm

“We Are Not In The Least Afraid of Ruins”
“We Are Not In The Least Afraid of Ruins”

2018, Digital print on gloss paper, edition of ten, 38.5x38.5cm

B O T A̜͉ ̴̩̥N͘ ̸̞͇̣I̗̲ ̗̬̼͙̭̗̘͞Q͙̞̫͖͠
B O T A̜͉ ̴̩̥N͘ ̸̞͇̣I̗̲ ̗̬̼͙̭̗̘͞Q͙̞̫͖͠

2018, Digital print on gloss paper, edition of ten, 111.5x77.5cm

“Dust will probably gain the upper hand over domestics... Nothing will remain to ward off the night terrors”
“Dust will probably gain the upper hand over domestics... Nothing will remain to ward off the night terrors”

2018, Digital print on gloss paper, edition of ten, 51x32cm

Predator
Predator

2018, Digital print on gloss paper, edition of ten, 20.5x30cm

Voted most likely to make me suffer, the way I need to suffer in order for love to feel real
Voted most likely to make me suffer, the way I need to suffer in order for love to feel real

2018, Digital print on gloss paper, edition of ten, 62x52cm

/...Then I fuck my time machine!/ First I park my time machine.../
/...Then I fuck my time machine!/ First I park my time machine.../

2018, Digital print on gloss paper, edition of ten, 73x72cm

“....But for man, no rest and no ending”.
“....But for man, no rest and no ending”.

2018 Digital print on gloss paper, edition of ten 111.5x78cm

To Call Past and Future to Rescue the Present
To Call Past and Future to Rescue the Present

2018, Digital print on gloss paper, edition of ten, 83x111.5cm

...Floating City, Machine City, Purr Purr Purr
...Floating City, Machine City, Purr Purr Purr

2018, Digital print on gloss paper, edition of ten, 58x111.5cm

Ultra
Ultra

2018, Digital print on gloss paper, edition of ten, 26.5x37cm

Suburb Domurb
Suburb Domurb

2018, Digital print on gloss paper, edition of ten, 78x111.5cm

Untitled
Untitled

2018, digital print on aluminium, dimensions yet to be determined

Futilitopia 2
Futilitopia 2

2018, Digital print on gloss paper, edition of ten, 79x111.5cm

Erosion
Erosion

2017, Digital Print on Aluminium, 30.1 x 45.5

Compounded Error (We Must Repeat)
Compounded Error (We Must Repeat)

Photographic Print on Aluminium 30.48 x 20.32

The Way Ahead and Below Leads to the Heart of the Devide
The Way Ahead and Below Leads to the Heart of the Devide

2017, Digital Print on Aluminium, 30.48 x 20.32

Gallery shot from "In My View"
Gallery shot from "In My View"
Gallery Shot from "In My View"
Gallery Shot from "In My View"
Proud, Independant, Prototypical Gyntrifier Who Don't Need No Plan
Proud, Independant, Prototypical Gyntrifier Who Don't Need No Plan

2014, 19.7 x 39.9cm Laser Cut Ply, Acrylic Paint, LEDs, Glue. Photography By James Field

Infradestructure
Infradestructure

2014, 19.9 x 39.7cm Laser Cut Ply, Acrylic Paint, LEDs, Glue.

Photography By James Field

Outside, The Cursed Earth. Inside, The Cursed City
Outside, The Cursed Earth. Inside, The Cursed City

2014, 19.8 x 40cm Laser Cut Ply, Acrylic Paint, LEDs, Glue.

Photography By James Field

Lifters And Leaners
Lifters And Leaners

2014, 19.9 x 39.9cm Laser Cut Ply, Acrylic Paint, LEDs, Glue.

Photography By James Field

Who Wants To Give Up On Society And Go Live In A Tree-House With Me? (249,861,592 Likes)
Who Wants To Give Up On Society And Go Live In A Tree-House With Me? (249,861,592 Likes)

2014, 19.9 x 39.5cm Laser Cut Ply, Acrylic Paint, LEDs, Glue.

Photography By James Field

 

None Have Lived Without Daydreams
None Have Lived Without Daydreams

2014, 19.9 x 39.8cm Laser Cut Ply, Acrylic Paint, LEDs, Glue.

Photography By James Field

When Humanity Lands There, It Looks Out, And Seeing A Better Country, Sets Sail
When Humanity Lands There, It Looks Out, And Seeing A Better Country, Sets Sail

2014, 19.9 x 39.7cm Laser Cut Ply, Acrylic Paint, LEDs, Glue.

Photography By James Field

Paradise! Two Thousand Miles From Here. Fresh Water, Plenty Of Sunshine, Nothing To Do But Breed
Paradise! Two Thousand Miles From Here. Fresh Water, Plenty Of Sunshine, Nothing To Do But Breed

2014, 20 x 40cm Laser Cut Ply, Acrylic Paint, LEDs, Glue.

Photography By James Field

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"Wish you were here" submission
"Wish you were here" submission

Untitled #1, 2013, marker, coloured pencil, pastel, pen on paper.
15X10cm

"Wish You were here" submission
"Wish You were here" submission

Untitled #2, 2013, marker, coloured pencil, pastel, pen on paper.
15X10cm

Tumbleweed City (Detail)
Tumbleweed City (Detail)

Photography by James Field

Floating City (Detail)
Floating City (Detail)

Photography by James Field

Vector #2
Vector #2

2012, acrylic, timber, glue, 76x70cm. Photography by James Field

Vector #1
Vector #1

2012, acrylic, plywood 26x50cm. Photography by James Field

Ministry of Conceptual Purity
Ministry of Conceptual Purity

2012, acrylic on plywood, 120x198cm